Future Exhibitions

Spring 2017


Opening Night | January 26, 2017

Celebrate with us and get a first look at the season's new art exhibitions. The evening will feature live music, refreshments, and the company of Champaign-Urbana art enthusiasts.

Private Preview & Reception for Museum Members | 5–6 pm Reception catered by Michaels' Catering

To attend, please RSVP to Chris Schaede by Friday, January 20 via email or by calling 217-244-0516.

Public Opening Reception | 6–7 pm
With opening welcome by Acting Dean of the College of Fine and Applied Arts and Museum Director Kathleen Harleman at 6 pm.

Public opening reception hosted by the Krannert Art Museum Council.


Autumn Knight: In Rehearsal

January 27 – May 14, 2017
Main Level, Gelvin Noel Annex and Light Court

Curated by Amy L. Powell, Curator of Modern & Contemporary Art

Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

Often gathering black women at the center of the conversation—whether herself as performer-facilitator or members of communities she makes around her—Knight usurps the dynamics of a room with humor and with purpose, enacting absurd situations and offering new ways of thinking and feeling.

For her first solo museum presentation, Knight scrutinizes her past work against the backdrop of a large public university while continuing to craft a research method that is perpetually in rehearsal—always nearly finished and yet constantly being taken up again.

In addition to scheduled public performances throughout the semester, returning museum visitors will be rewarded, for at any moment one might find a person playing the cello, trying on shoes, or singing a chorus.

Originally from Houston, Autumn Knight is based in New York City where she is currently Artist-in-Residence at The Studio Museum in Harlem.

Exhibition and performances sponsored in part by the Department of Dance, the Department of Gender and Women’s Studies, the Women’s Resources Center, and Krannert Art Museum



Enough to Live On: Art from the WPA

January 27 – April 22, 2017
Main Level, Rosann Gelvin Noel Gallery

Curated by Kathryn Koca Polite

In 1933, Franklin D. Roosevelt proposed the New Deal, a series of programs that sought recovery and reform from the Great Depression by creating jobs and aiding the unemployed with enough money to live on.

Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. Thousands of artists were commissioned by the government to create public works that captured the state of the nation at that time, which resulted in prints disseminated throughout the country, hundreds of murals installed in government buildings, and the creation of various community centers.

This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum’s permanent collection.

Sponsored in part by Fox Development Corporation and Fred and Donna Giertz



Land Grant

January 27 – May 14, 2017
Main Level, Contemporary Gallery

Organized by the graduate students of ARTH 546, a practicum in curatorial methods: Alyssa Bralower, Yue Dai, Evin Dubois, Maria Garth, Michael Hurley, Cory Imig, Lilah Leopold, Jenny Peruski, Luis Gonzalo Pinilla, and Allison Rowe
The course was led by Terri Weissman, Associate Professor of Art History, and Amy L. Powell, Curator of Modern and Contemporary Art

The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign.

Land Grant draws from libraries, archives, and collections across campus to propose an expanded field for considering the university—its founding and history, land use practices, and questions of indigeneity—all while assessing the current status of public higher education in the United States. Recognizing the ability of images to both legitimize and contest power, and experimenting with curatorial methods of evidence and inquiry, this exhibition takes stock of where we, as university students, stand today in relation to such questions.

Land Grant incorporates materials from Krannert Art Museum, the Rare Book & Manuscript Library, University Archives, the Map Library, the Illinois History and Lincoln Collections, the Ricker Library of Architecture and Art, and the Geological Samples Library.

Sponsored in part by Fox Development Corporation



Light and Movement in Sculpture

January 27 – May 14, 2017
Main Level, Kinkead Gallery

Curated by Amy L. Powell with assistance from doctoral candidate in Art History Hayan Kim

Sculptors in the 1960s and 1970s experimented with light and optical illusion, reflecting mid-century fascination with speed, the materials of technology, and structural systems. Artists and artist-engineers built on previous decades of experimentation by such figures as László Moholy-Nagy and György Kepes, demonstrating artist Willoughby Sharp’s call for “an art of greater energy” to “unite us with the real rhythms of our era.” Systems theorist Jack Burnham, writing in 1968, found in contemporary sculpture the desire to prepare humans for radically new futures, even while many works mesmerize with their seemingly magical properties.

KAM’s small but strong collection of light and kinetic sculpture produced in the United States reflects the museum’s history as a vital participant in the University of Illinois’s Festival of Contemporary Arts (1948–1974), a campus-wide presentation of lectures, performances, and exhibitions by avant-garde artists. Many of these works were purchased after the exhibitions while others were gifts made in recognition of the spirit of interdisciplinary collaboration fostered by the university.

Including artworks by: Fletcher Benton, Chryssa, Max Finkelstein, Richard Hunt, Josef Levi, James Libero Prestini, and Earl Reiback.




Dynamic Structures: Abstract American Artists

March 2 – May 14, 2017
Main Level, West Gallery

Curated by Kathryn Koca Polite

In 1936, several artists in New York City, who grew tired of the lack of exhibiting opportunities for abstract artists, convened to discuss ways to promote and further the works of abstraction. The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. Overlooked during the 1930s and 1940s by major institutions, such as the Museum of Modern Art and the Whitney Museum of American Art, the AAA aggressively protested these institutions and instead held their own exhibitions and forums to help garner acceptance of abstract art. The AAA can be seen as a predecessor to the New York School and abstract expressionism.

This exhibition features works from past members of the AAA, including Josef Albers, Mel Bochner, Louise Bourgeois, Alexander Corazzo, Sidney Gordin, Balcomb Greene, Gertrude Greene, Carl Holty, Karl Knaths, Sol LeWitt, Brice Marden, George L. K. Morris, Louise Nevelson, Irene Rice Peirera, Beatrice Riese, Judith Rothschild, Louis Schanker, Charles Green Shaw, Esphyr Slobodkina, David Smith, Julian Stanczak, Joan Waltemath, and Jean Xceron.

Sponsored in part by Fred and Donna Giertz



25th Annual Petals & Paintings Gala and Floral Design Exhibition

April 6–9, 2017
Main Level, All Galleries

Opening Gala and Silent Auction · 6:30–9 pm, April 7, 2017
Floral Design Exhibition · 9 am–5 pm, April 8 and 12 noon–5 pm, April 9, 2017




School of Art + Design Master of Fine Arts Exhibition

April 7–22, 2017
Main Level, East Gallery

Public Opening Reception · 5–7 pm, April 8, 2017




Where the Arts Meet Physics

April 13–20, 2017
Lower Level, Classroom Studio

Public Opening Reception · 5–6:30 pm, April 13, 2017




School of Art + Design Bachelor of Fine Arts Exhibition

May 6–14, 2017
Main Level, Rosann Gelvin Noel Gallery, Annex, and Light Court

Public Opening Reception · 5–7 pm, May 6, 2017




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Image:

Krannert Art Museum
2012
Photo by Kathryn Koca Polite