Auto-Graphics: Recent Drawings by Victor Ekpuk

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Auto-Graphics: Recent Drawings by Victor Ekpuk, installation at Krannert Art Museum, 2014. Photo by Julia Nucci Kelly
Auto-Graphics: Recent Drawings by Victor Ekpuk, installation at Krannert Art Museum, 2014. Photo by Julia Nucci Kelly

Postscripts: The Art of Victor Ekpuk

Victor Ekpuk's work was featured in Auto-Graphics: Recent Drawings by Victor Ekpuk Jan 23-July 27, 2014 at Krannert Art Museum, University of Illinois at Urbana-Champaign.
Project director: Allyson Purpura, Curator of African Art Video production team: Jim Knoblauch, Joyce Seay-Knoblauch, Martin Booth-Hodges

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Auto-Graphics: Recent Drawings by Victor Ekpuk, installation at Krannert Art Museum, 2014. Photo by Julia Nucci Kelly
Auto-Graphics: Recent Drawings by Victor Ekpuk, installation at Krannert Art Museum, 2014. Photo by Julia Nucci Kelly

Exhibition

On view
Jan 4, 2014 to Jul 27, 2014
Main Level, Contemporary Gallery

Nigerian-born artist Victor Ekpuk is best known for his improvisational use of nsibidi, a form of ideographic writing associated with the powerful Ekpe men’s association of southeastern Nigeria.

As a student of fine arts at Obafemi Awolowo University in Ife in the mid-1980s, Ekpuk worked in a pedagogical environment informed by onaism, a Yorùbá aesthetic philosophy that urged students to explore the logics of pattern and design in indigenous African art forms. Ekpuk’s early fascination with nsibididuring these years—its economy of line and encoded meanings—led to his broader explorations of drawing as writing, and to the invention of his own fluid letterforms. As a mature artist, Ekpuk has so internalized the rhythm and contours of his “script” that it flows from his hand like the outpouring of a personal archive.

In recent years, Ekpuk’s approach to mark making has come to flourish through his investigations of scale, motion, surface, and form. Auto-Graphics features selections from several of Ekpuk’s new bodies of work, including collage, digital prints, and his large scale drawings—bold, vibrant, yet restrained compositions in which nsibidi signs are cropped, abstracted and glided out of sight through the illusion of magnification. Their dense grounds of micro-stories and bristling opaque forms contrast with the figural, more cursive works on view.

Ekpuk’s compositions are not tentative or ambivalent, and are drawn with no erasure. Like nsibidi, which communicates through both visual mark and gesture, Ekpuk’s immersive drawings seem to be choreographed with the full force of his body. This will become readily evident to visitors when, upon entering the museum, they are greeted by one of Ekpuk’s ephemeral works drawn directly onto the gallery wall—an ample surface on which to explore the infinite potential of the hand-drawn line.

Curator: Allyson Purpura

Sponsored in part by Krannert Art Museum and partially supported by a grant from the Illinois Arts Council

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Provenance: A Forensic History of Art, installation at Krannert Art Museum, 2017.
  1. May 13, 2017 to Dec 8, 2018
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Allan deSouza, Through the Black Country..., installation at Krannert Art Museum, 2018. © Board of Trustees of the University of Illinois
  1. Jan 25, 2018 to Jul 14, 2018
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Wynn Bullock, Shore Line, 1966. Gelatin silver print. Museum purchase 1967-14-2. © Wynn Bullock
  1. May 26, 2018 to Oct 20, 2018