From Hand to Hand

Indian Painting from the collection in From Hand to Hand: Painting and the Animation of History in Northern India, installation at Krannert Art Museum, 2019

Vishnu Stele, 12th century. Stone relief. Museum purchase through the Ellnora D. Krannert fund. 1969-10-1

Vishnu Stele, 12th century. Stone relief. Museum purchase through the Ellnora D. Krannert fund. 1969-10-1
Vishnu Stele (Indian, Rajputana), 12th century. Stone relief. Museum purchase through the Ellnora D. Krannert fund. 1969-10-1
Indian, Rajputana
12th Century

40.5 x 22.75 x 8 inches

Hinduism is a diverse, holistic system of thought with a complex concept of the divine. Hindu texts refer to a formless god with three primary manifestations: Brahma the creator, Shiva the destroyer, and Vishnu the preserver. Vishnu was first mentioned as a deity in the ancient Indian sacred collection of hymns, the Rig Veda, in 1200 BCE.

The earliest known Hindu images are from the first century BCE from the Mathura region of northern India. By the third century CE, freestanding figurative sculpture began to appear on the outsides of Hindu temples and became an increasingly important component of temple architecture. This figure of Vishnu was probably placed in an interior sub-shrine or in the sanctum of the temple. The sanctum is the venue for darshana, the active visual and mental interaction between god and devotee. If the rituals surrounding this act were performed correctly, it is thought the god or divine spirit would inhabit the image.

This four-armed figure can be identified as Vishnu because of the attributes he holds in his hands. The conch in his lower-left hand represents the sacred sound om, which calls existence into being. The gada, or mace, in his lower-right hand symbolizes the power of knowledge, and the chakra, or discus, in his upper-left hand denotes divine power and protection. His upper-right hand is raised in abhaya mudra, the gesture of protection. Vishnu periodically descends to earth in various human and non-human forms, known as avatars, to preserve the dharma ("law") and return order to the universe.

In this stele, Vishnu stands on a lotus flower with an elaborate lotus-shaped halo behind his head. His facial expression is benign, and he wears an elaborate crown and large earrings indicating his royal status. To the immediate right and left of his feet stand the anthropomorphized figures of his attributes, the chakra, called Sundarshana, and the conch, Shankha. To their left and right are the diminutive figures of devotees. At the top of the stele, sitting on lotuses, are the figures of Brahma on the left and Shiva on the right.

Based on text by Barbara H. Friedell, from Krannert Art Museum: Selected Works, 2008

Gabriele Münter, The Blue Gable, 1911. Oil, canvas. Gift of Albert L. Arenberg 1956-13-1

Gabriele Münter, The Blue Gable, 1911. Oil, canvas. Gift of Albert L. Arenberg 1956-13-1
Gabriele Münter, The Blue Gable, 1911. Oil, canvas. Gift of Albert L. Arenberg 1956-13-1
Gabriele Münter
1911

35 x 39.75 inches

Gabriele Münter was one of the charter members of Der Blaue Reiter (The Blue Rider), a German expressionist group founded in 1911 that was united not by style but by the shared desire to convey spirituality and transcendence through art. In 1908 Müntersettled in the town of Murnau, near Munich, where she envisioned a utopian community of artists living outside the context of urban life. For Münter, the rural landscape allowed for an expression of spiritual purity, a dominant theme in her art.

Münter painted the village as a refuge from modern life, a place that might restore the harmony between humankind and nature disrupted by the modern city. The broad white areas of snow on the ground contrast with the glowing pinks, blues, and yellows of the cottages, which are tightly pressed together and overlapping, distorting perspectival depth. Although the brown pathway pulls the viewer's eye in, the space is simultaneously flattened by a network of thick black outlines that draw attention to the painting's surface.

Text by Phoebe Wolfskill, from Krannert Art Museum: Selected Works, 2008