In the mid-1950s, the New York-based artist Ray Johnson (1927–95) initiated a new form of artistic practice called “mail art,” in which participants received a letter or object in the post, added to or subtracted from that item, and then mailed it onward to another participant or returned it to Johnson. Through this process Johnson established a network of artists called the New York Correspondence School (NYCS), many of who still send and receive mail art today.

Robert Warner, one of the participants in this network, engages the legacy of this school both by sending mail art and creating art installations out of 13 boxes of NYCS ephemera that Johnson gave him in 1988. These boxes—which contain objects that speak to Johnson’s signature iconography (e.g. bunnies, cupids, snakes, postage stamps, etc.) as well as mail art works by the various members of the NYCS—constitute a veritable cabinet of curiosities, particularly when unpacked by Warner. For this exhibition, Warner will reinstall the boxes, this time emphasizing Box 13 which contains ephemera from a mail art event that Johnson organized in Illinois in 1974 through an Illinois Arts Council grant. 

Select programming for this exhibition:

October 10 
5:30 pm: Film Screening
Ray Johnson Correspondence School (1974) and How to Draw a Bunny (2002)
Ray Johnson Correspondence School is a rare unreleased short film by John Orlandello. This campy short documents a performance and exhibition that Johnson made as an artist-in-residence at Western Illinois University in the early 1970s. (5 min)
Courtesy WIU Archives and Special Collections
How to Draw a Bunny is a documentary by John Walter and Andrew Moore that explores the fascinating life and mysterious death of the artist and underground icon, Ray Johnson. (90 min) 

November 14
5:30 pm: Gallery Conversation
With Miriam Kienle, guest curator and doctoral candidate in Art History