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E.g., 2021-09-16
An African American ceramic artist leans forward over his spinning wheel turning a pot. The clay is covered in slip, so appears wet. He concentrates on his work, one hand inside the pot, the other outside, shaping as the clay spins on the wheel.
Talk Sep 16, 5:30 pm
Jim McDowell Lecture | African American Face Jugs: Thoughts Become Art Inspired by the Ancestors
Hal Fischer, A Salesman, 1979. Carbon Pigment print, 24 x 30 inches Courtesy of the artist © Hal Fischer
Talk Sep 23, 2 pm
Gallery Conversation | Hal Fischer & Tim Dean
Abstract artist Louise Fishman examines her 1976 oil and wax work on paper, My Pigeon (a geometric drawing in white and grey wax on paper), with her spouse Ingrid Nyeboe
Talk Sep 24, 2 pm
Curator-led Tour of A Question of Emphasis: Louise Fishman Drawing with Amy L. Powell
Field with sculptures standing. They resemble large sticks in the ground with hand-like tops.
Talk Sep 30, 5:30 pm
A + D Visitors Series | Jill H. Casid, "Doing Things with Being Undone in the Necrocene"
A drawing with a red background and script in large, uppercase, white letters which reads "INTERDEPENDENCE IS CENTRAL TO THE RADICAL RESTRUCTURING OF POWER". The red is made out of small, hand drawn pencil marks; letters appear where there are no marks.
Talk Oct 21, 2 pm - 7 pm
Crip* Colloquium
A drawing with a red background and script in large, uppercase, white letters which reads "INTERDEPENDENCE IS CENTRAL TO THE RADICAL RESTRUCTURING OF POWER". The red is made out of small, hand drawn pencil marks; letters appear where there are no marks.
Talk Oct 22, 9 am - 5 pm
Crip* Colloquium