Hive

hive_krannert_200116-fz-005.JPG

Illuminated inflatable sculpture inside the temple-like structure of the Kinkead Pavilion entrance of Krannert Art Museum. Sculpture by Nancy Davidson is conical with the point down, constructed of inflated orbs. A large braid cascades down the side.
Nancy Davidson and Lakshmi Ramgopal, Hive, installation view at Krannert Art Museum, University of Illinois at Urbana-Champaign, 2020. Photo by Fred Zwicky.

Screen Shot 2019-08-10 at 4.15.48 PM copy.png

Nancy Davidson, artist drawing for Hive, 2019. Courtesy the artist. © Nancy Davidson
Nancy Davidson, artist drawing for Hive, 2019. Courtesy the artist. © Nancy Davidson

s2020_Artists-Classics_p2.jpg

Three paintings on a grey gallery wall. At left is an image of the backs of two pedestals with sculpture and the back of a woman drinking tea looking out over a grand vista. At right are a rubbing of a grave marker and an earth-toned painting of a golem.
Artists Respond to the Classics, companion exhibition to Hive, installation at Krannert Art Museum, University of Illinois at Urbana-Champaign, 2020.

Exhibition

On view
Jan 30, 2020 to Jan 23, 2021
Main Level, Kinkead Portico and Gallery

Hive is a site-specific sculpture and sound commission by Nancy Davidson and Lakshmi Ramgopal, two artists with distinctive practices collaborating for the first time at Krannert Art Museum.

On view for a full year, Hive is housed within and responds to the architecture of KAM’s 1988 Kinkead Pavilion, a postmodern addition to the museum designed by architect Larry Booth. The portico presents the museum as a temple, with a Midwestern mash-up that makes reference to the ancient world through the structure’s large scale, classicizing columns, and inscribed frieze.

Hive features two inflatable sculptures by Davidson, each approaching twenty feet tall and lit from within, filling the portico. Ramgopal’s sound installation is housed in the same space, involving a range of vocalizations experimenting with breath—partly composed and partly randomized by a computer algorithm so that the sound never repeats.

Davidson and Ramgopal drew their inspiration from Artemis of Ephesus, the multi-breasted cult goddess of the ancient Mediterranean. Davidson’s sculptures exaggerate Artemis’s bodily qualities: her multiple breasts a sign of fertility, possibly in the form of a beehive. Hive’s sculptures incorporate a braid emerging from the top of each piece and continuing to the pavilion floor to suggest caryatids, a feature of ancient Greek, Roman, and later classicizing architecture, in which women with braided hair provide physical support for a building. Along with Ramgopal’s soundscape, Hive indicates feminized bodies as unpredictable organisms with textures and reverberations that behave through and despite the structures seeking to contain them.

Hive uses KAM’s Egyptian revival architecture to situate questions of gender identity, bodily and affective feeling, and racialized interpretations of classical material in a university art museum. Davidson’s bright pink and red sculptures and Ramgopal’s musical references color our current-day interpretation and provide a platform to bridge conversations among programs at Illinois including Classics, Gender & Women’s Studies, LGBTQ studies, Architecture, Art History, and Ethnomusicology.

To expand and comment upon the project’s questions about the legacies of the ancient world, the curators have developed a collections installation in the adjacent Kinkead Gallery, Artists Interpret the Ancient World, featuring paintings, sculpture, and works on paper from KAM, along with plaster casts and other objects on loan from the Spurlock Museum, from antiquity to the present day.

 

Listen to a sample of the exhibition audio | Lakshmi Ramgopal on Soundcloud 

Co-curated by Amy L. Powell, Curator of Modern and Contemporary Art, and Clara Bosak-Schroeder, Assistant Professor, Department of Classics

Hive is supported by The Andy Warhol Foundation for the Visual Arts and the Classics Everywhere initiative of the Society for Classical Studies. Co-sponsored by the Department of Classics, the Center for Advanced Study, the Illinois Program for Research in the Humanities, and the School of Art + Design Visitors Committee.

[[1567054800,1608703200]]
gallery view of entry wall of Art Since 1948 with text and a row of paintings from the museum's modern and contemporary collection. Wall angles toward the viewer to guide their eye down the line of paintings to the next gallery beyond.
  1. Aug 29, 2019 to Dec 23, 2020
[[1571288400,1584766800]]
Image of a small mannequin dressed in a beaded satin dress with ornately decorated gas mask, created by artist Naomi Bebo. In background is a grey wall with small objects and a yellow image of a graph overlaying an image of Bears Ears national monument.
  1. Oct 17, 2019 to Mar 21, 2020
[[1581487200,1585630800]]
Black and white print with seven male figure in dark suits hanging over a balcony jeering and shouting. One whistles, one has his hands cupped to direct his shout, one waves his hat. Their faces have derisive expressions.
  1. Feb 12, 2020 to Mar 31, 2020
Response Wall