Encounters: The Arts of Africa, installation view, 2012. Curated by Allyson Purpura. Photo by Chris Brown.
Encounters: The Arts of Africa, installation view, 2012. Curated by Allyson Purpura. Photo by Chris Brown.
Resource

Installed in 2012, Encounters was the first of KAM’s permanent collection galleries to be fully renovated and reconceived to reflect the museum’s commitment to exploring the global connections and epistemological frames through which objects move and come to be known in the world. 

The completely redesigned space, lighting, iPads, and signature casework invite visitors to see African artworks not only as visually compelling in their own right, but also as objects of encounter that can tell stories about the broader social contexts and often fraught histories through which they have journeyed. The gallery’s thematic groupings and 11 visitor-activated videos of masquerades, narrative vignettes, and artist interviews assist in the “telling” of those stories and draw out resonances among the objects on display. Gallery themes include: “The Power of Script;” “The Creativity of Power;” "Art of Masking;" “Reading the Body;” “The Art of Small Things;” “Objects of Encounter;” “The Art of Performance;” “Fraught Histories;” and “Orisha: Yoruba Art, Spirit, and Diaspora.”

The original 2012 installation of Encounters featured highlights from KAM’s collection of historical African art, the majority of which is from west and central Africa and was generously donated to the museum by the Richard J. Faletti family and Cecilia and Irwin Smiley. Displayed in conversation with these historical works were several recent acquisitions by Yeliman Fall, Wosene Worke Kosrof, Rotimi Fani-Kayode, and Magdelene Odundo, all of which attest to the long and active participation of artists from Africa in the international contemporary arts scene.

Though a “permanent” gallery, Encounters remains fresh with ongoing object rotations, and the addition of new themes or videos. We hope this installation, as it changes over time, will allow for encounters of all kinds, including those that challenge misperceptions and inspire new lines of inquiry about the historical depth, global reach and contemporary relevance of African creativity. The Collection section (below) shows the range of works from the Krannert Art Museum collection that have been on view over time since the gallery was opened in 2012.


Ricker Library of Architecture and Art has developed a library guide that includes details about work contained in this gallery, as well as supplementary materials and curator-recommended reading: Library Guide to Encounters: The Arts of Africa

 

See images of the collection below, or view an interactive visual list in our Online Collection | Browse Encounters Online

Portfolio: Encounters: The Arts of Africa [Exhibition Ongoing]

Installed in 2012, Encounters was the first of KAM’s permanent collection galleries to be fully renovated and reconceived to reflect the museum’s commitment to exploring the global connections and epistemological frames through which objects move and come to be known in the world. Curator: Allyson Purpura.

permalink: https://collection.kam.illinois.edu/prt294

Records 1 to 64 of 64

Shabati

faience (glaze sintered-quartz)
Cap Mask (Mbuya)

wood and pigment
Cap Mask (Pumbu)

wood, pigment, cloth, and fiber
Ibeji Figure

wood, nails, cowrie shells, and camwood powder
Dance wand (Eshu)

wood, hide, cowrie shells, fiber, medicinal bundles, indigo
Crest Mask (Chi Wara)

wood, raffia, and brass
Efe-Gelede Cap Mask (Apasa)

wood with indigo and white
Bound Figure

terracotta
Face Mask (Ninea-Gla)

wood, metal, and chalk
Shrine Figure (onile)

brass or bronze, and iron
Divination Bowl (Agere ifa)

brass or bronze and iron
Helmet Mask (epa)

wood, iron, fiber, and sacrificial substances
Ibeji Figure

wood and beads
Bush Buffalo Mask

wood and pigment
Miniature Initiation Mask

wood, pigment, and raffia
Chief's Stool

wood, brass tacks, and beads
Head

terracotta
Power Figure (Nkisi)

wood, lizard, bushbuck horn, and medicinal substances
Staff

wood with pyrography
Portrait Mask (lipiko)

wood with human hair, paint and pigment
Storage Chest

wood with copper, brass, iron, and pigment
Pair of Sandals (mtalawanda)

wood with silver and copper
Female Figure (nkisi)

wood and porcelain
Power Figure (Nkisi)

wood, cowrie shells, fiber, and palm oil
Aja Nsukka

burlap, with handmade paper, dye, and acrylic paint